Showing posts with label horror. Show all posts
Showing posts with label horror. Show all posts

Saturday, December 28, 2013

"Fallen from Grace" Now Available

The newly released fourth Grace book is already scaring up fans. Check out Fallen from Grace by M. Lauryl Lewis at Amazon.

Book Summary
The living continue to struggle to survive in world that now belongs to the dead. From the farmlands of the Pacific Northwest to the Cascade mountain range, a group of survivors now finds themselves at the edge of the Pacific Ocean. They will meet other survivors, face new losses, and come across even more horrors.

Grace Series Reading Order
Grace Lost
Tainted Grace
Dark Grace
Fallen from Grace

Check out M. Lauryl Lewis at her blog, Facebook, and Twitter.

Monday, August 19, 2013

Exclusive Excerpt from "God Attacks!" by J.R. Kiefer

God Attacks! is a daring horror tale by J.R. Kiefer. This first novel in a two books series envisions a very ominous version of God. Check out an exclusive excerpt from God Attacks! below then get your copy of the occult thriller at Amazon.
 
Summary
God is not dead; it has merely slept. It stirs from its enforced slumber and its dreams of annihilating that which created it in its own image, that which drove it mad—a blinded mankind.

Two ancient secret societies guard the secret of God. One of these occult orders wishes to enslave and control the abominable thought form that is God. The other wishes to destroy it and to free humanity from the fetters of beliefs capable of creating such monsters of unholy destruction. Their directive: What Man created, Man must destroy.

Caught in the midst of these turbulent cosmic forces is the sleeper incarnation of Kirt Tucker, a neurotic, semi-suicidal used-car salesman, and his companions: Roland, the country club golf pro, and Celia, the talented psychic. Join them on a non-stop, page-turning race to stay alive in the face of a psychotic deity and its God-awful minions.

God Attacks! is the first of two volumes of a tale where the world is turned upside down; where good and evil, and the shades of gray in between, blur in a belief-bending thrill-ride of a read.

 

Exclusive Excerpt from God Attacks!

“Listen, my uncle used to sell cars,” Brian said. “He told me never to sign up for any of the crap you guys try to sell. So, we don’t want it. Let’s just get the rest of this done. I gotta get my kid home.”

Kirt knew where this was going and felt his face heat in a blush of anger. His customer had switched from easy-going to grade-A asshole in seconds. He had to repair his rapport with the customers before it was beyond salvaging.

“At least let me tell you. . .”

A sharp pain along his inner thigh forestalled his words. He felt something pinching him—pinching hard. He pushed his chair away from his desk and looked down to his lap.

What the hell is that?

There was motion in his pocket. In dawning horror and disbelief he saw the fabric of his thin, brown slacks moving. However, it was the intense pain he felt cutting into his inner right leg that set off the shrieking cacophony in his head.

“What’s the matter?”

Kirt barely heard Brian’s words.

The baby in Tina’s arms suddenly emptied his lungs in a piercing wail that bounced around Kirt’s tiny office like an ambulance siren in an echo chamber.

“What’s wrong, honey?” Startled, wide-eyed, and mouth agape, Tina held her infant son in front of her, grasping him under both of his armpits.

The baby screamed and peddled it legs, trying to run from something, but instead only kicked the air helpless and panicked.

Kirt rocketed out of his chair, which careened backwards on its rollers and collided with the credenza behind him in a loud Thwump Bang! The credenza wobbled from the impact and a Buick golf clock, given him by the General Motors rep, fell from its perch atop the credenza to the floor by Kirt’s foot, shattering its plastic frame and faceplate upon the thin carpet.

 “You’re scaring my baby.” Brian shot to his feet with balled fists and such immediacy that Kirt thought he was going to take a poke at him. “What the hell is the matter with you?”

But even this was not enough to distract Kirt from the red hot needling pain hammering at his senses—from down there where the baby’s “toy” was.

“I’ll be back,” Kirt hissed through clenched teeth; he had to get somewhere private and extricate the stuffed animal from his pocket. It was the only thing he could think of that could be causing the stabbing agony so uncomfortably close to his groin.

Oh my God! What’s going on?

He maintained enough reason to realize if he pulled the thing out here, in his office, he’d have difficult questions to answer. He tore out of his office awkwardly contorted, hand clamped over the still moving lump in his pocket. Out of the corner of his vision he glimpsed Brian snatch the baby out of Tina’s hands and caught snippets of angry words and more of the baby’s wailing; but his brain couldn’t translate these sounds into anything coherent. He had to get to the restroom and stop whatever was causing the terrible stinging hurt along his right inner-thigh. It was more than just the pain now; it was also Kirt’s fear of the unknown—what was causing the pain—that drove him to panic.

“Hey, you ok, Kirt?” Isaac asked, turning the corner toward Kirt’s office and unwittingly blocking Kirt’s path to the sanctuary of the restroom. “I heard some yelling.”

“Can’t...talk...now.”

Words were difficult and felt like a wheelbarrow of rocks to be pushed up a mountain. Kirt’s vision narrowed, but his purpose was clear and burning. Oh, did it burn. All he saw was Isaac’s chest. He had to go through him; a detour around him was unthinkable, because he had to know what was happening and right NOW!

“Move!” Kirt put his arms forward, intending them to move Isaac aside, but instead, with his momentum, he ended up body-slamming the salesman. Isaac’s body fell to Kirt’s left and out of his sight. Kirt saw the opening to the bathroom door and he bolted for it; bent at an angle and hobbling, he reached it. With his free hand he pawed at the door handle and pushed it down and thrust the door open and flung his body into the bathroom.

Once inside, Kirt spun around and locked the door. Now, at last, he plunged his hand into his pocket and wrapped it around the pliable stuffed toy, yanked it from his pocket and held it at arm’s length in front of him.

In a surreal moment of disbelief he saw it had again transformed into the hideous prophet doll. He stared aghast at the thing gripped in his fist. It moved; its mouth opened and closed. Kirt smelled a terrible odor and realized it was the thing’s breath, rancid and existing in a measure beyond any sane proportion of what should be able to issue from an orifice as small as that of the plastic prophet’s mouth. He gawked at what he guessed had caused his pain. The prophet’s staff had transformed into a wriggling serpent.

The snake was dark and marked with virulent green patches. It sprang at Kirt’s hand, but was unable to strike him due to his fierce grip about the prophet doll’s lower half. If the prophet let go of its own grip on the serpent’s scaly thickness, the snake would have been able to strike downward and sink its thumbtack-sized fangs into his hand; but some law of reality appeared to still apply. The prophet doll, it seemed, could not move anything but its mouth. Kirt felt the reptile’s lower half trying to slither from his fist. Its touch was wet and revolting; it felt more earthworm than snake, the cold slimy feel of something that fed in the damp, beneath fetid and rotting corpses.

I’ll squeeze the shit out of you, you son-of-a-bitch!

He contracted his grip and squeezed until the muscles in his arm ached and the tendons in his wrist stood out like steel cables beneath the skin. He bared his teeth and a primitive grunt escaped his strained wild-eyed face. When he could take no more of the intense exertion, after he thought there was not another ounce of grip pressure left to him, he raised the doll above his head and hurled it to the floor with such force that it leapt off the hard ceramic tile and almost landed in the commode, before bouncing off the toilet’s rim and coming to rest upon the bathroom’s tiled floor.

Now only a doll lay there on the floor. A doll made of plastic, cloth and white fibrous stuffing. No blood spewed, no bones protruded from torn flesh.

Unsatisfied with the lack of gore he needed to see and still caught in the survival-mode panic of a person who opts to fight rather than to take flight, Kirt raised his right foot and aimed the heel of his polished, brown leather Doc Martin shoe at the prophet doll’s head. When his raised leg had reached its apex, just before he began the downward thrust of his foot to smash the horrid thing, he froze and stared incomprehensibly at the doll. The doll’s mouth had moved as he had wound his leg up to stomp it. He’d heard its voice, soft, yet menacing, a whisper of cockroach legs scuttling behind derelict walls. Icicles formed in Kirt’s shriveling testicles and he could taste his fear. The doll’s speech invoked an elemental dread in him, an unfamiliar primitive and jagged trepidation generated by an atrophied part of his brain that evolution had softened after humans had become ‘civilized’ and no longer had to fear being ripped apart, chewed, and eaten on a daily basis.

Kirt lowered his leg. In opposition to his brain’s command that he should now take flight, that horrible danger was present—that he was food—he knelt next to the thing, ready to spring away the instant the doll moved anything more than its mouth. Its smell swelled around him and infected his palate, which caused him to gag dryly. He swallowed and stopped breathing to avoid its reeking stench. Now that he was closer, he could make out its whispery words:

“Come near to hear and hearken: Let the earth hear, and all that is therein; the world, and all things that come forth of it. The sword of the Lord is filled with blood, it is made fat with fatness, and with the blood of lambs and goats.”

Something else there was there, too. Beneath the words that Kirt distinctly heard spoken, another voice spoke in his head at the same time. This voice was not, however, a part of his catalog of internal voices that he’d become familiar with of late. This was utterly different, independent of his routine self-bashing and the reliving of the trauma of his Divorce or his Depression.

This was not him remembering the cold exactness of Beverley’s words, when she’d sat on the edge of the bed, prior to them turning in for the evening, and said in a matter-of-fact tone:

“I’ve got something to tell you: I don’t want to be married anymore.”

As if ending their fifteen years together was on par with the news that she needed to go to the grocery store in the morning to buy milk. No. Nor was this the constant rehashing of her words and rationales behind the Divorce—most he never knew existed, but she drove home with fierce, hurtful intensity—and her need to be free from him; to reject him.

It wasn’t the usual replay of that particularly dastardly internal tape; the really bad one.

“I have thought about coming back to you—but I don’t want to settle.”

Kirt was well familiar with his own internal hell-alogue and the constant berating drone in his head. What he heard now was not the product of his thoughts. That much was crystal clear. In this instance Kirt couldn’t push away, nor diminish this occupation of his mind by simply yell-thinking:

“Get out of my head! Leave me alone! Just chill, Bill.”

 The words he heard the doll utter, the sword of the lord and all that, and the words he heard in his mind but did not own, overlapped and intertwined, but he could understand them nonetheless and the underlying message was:

“Enemy of God! You must pay for your Godmaking sin. Your death and unending torment will please God. You cannot defeat Him!”

“Nooo!” Kirt yelled. “WHAT…ARE…YOU?”

He surged to his feet to distance himself from the prophet’s ghoulish double sermon. Now he did bring his foot down upon the thing. He worked his leg like a piston and stomped the horrid toy, which transformed into a walrus again somewhere between the fourth and fifth blow of his heel, until the jarring action of his stomps made his shin scream in protest and demanded he stop. Panting, he left the doll there and stared with disbelief at its torn, shredded and misshapen form. It was no longer something a child should play with, if ever it had been. Now it was silent and still.

What the hell did I just kill?

Keeping one eye on the thing, Kirt undid his belt and fumbled with the button and zipper of his slacks until he had them undone as well. He lowered his slacks and inspected the area of his thigh that continued to sting, though the pain had abated since he’d fled his office. He gasped when he saw that a large, purplish blotch covered the affected quarter-sized area like a bad grape juice stain. At the center of the discolored skin he poked his index finger gingerly at two tiny puncture marks. The holes oozed a small amount of blood mixed with some clear fluid he could not identify. He winced and pulled his finger back.

Damned thing bit me!

Kirt’s head began to spin. He steadied himself with his left hand on the sink’s white porcelain coolness and with the other turned on the faucet. The hiss and burble of flowing water comforted Kirt in a strange way; the simple, everyday sound brought normalcy to his senses. He ran his fingers under the tap. Cupping his hands, he filled them—almost prayerfully—with cold water and bent forward to splash his face and wash away something he couldn’t define.

Face dripping, he looked up and into the mirror.

Kirt didn’t see the familiar self that greeted him every morning when he shaved. He didn’t see the small scar under his full bottom lip he’d acquired when at ten–years old he’d fallen out of the old oak tree his dad had told him not to climb, and for which he received the strappin’ he’d been told he’d get if he disobeyed.

His bottom lip wasn’t full now either; it was thinner, stronger.

Kirt’s nose now appeared a little wider than it should be, no longer bent at that familiar soft angle in the middle where a Marine had clocked him years ago in the Navy, when Kirt had defended a guy from one of the Marine’s drunken buddies.

His complexion now appeared in the mirror to be tanned, rough, weathered. Kirt burned in the sun, he did not tan. And, his face didn’t have the mileage that was reflecting back…on his face! And the beard—that coarse, bristling, black thickness hadn’t been there this morning when he’d looked in the mirror wishing he was headed anywhere except to work. Kirt’s red tie was also transformed, now a red design of some sort, familiar, yet unremembered, a shape splayed across a. . .

. . .tunic?

. . .covering some type of chain mail that, Kirt noticed with not a little anxiety, appeared to have actually been used at some point for what it had been fashioned for: Armor.

But, it was the eyes that stared back at him that sent his mind reeling. Those eyes were his eyes: Blue-gray, familiar, self-reflecting, they didn’t belong to the face of the man in the mirror. Kirt Tucker’s eyes shouldn’t be in someone else’s face. That was fundamentally wrong.

Yes, there was something definitely wrong with the Universe.

Kirt’s mental circuitry chose that moment to protect him and blew a breaker: His world began to turn into gray speckling. Before he fell and his head hit the rim of the toilet, on his way down into the darkness, Kirt heard a voice. It was at once his voice, but not his voice. The authoritative voice spoke to him in accent-cloaked words that Kirt heard, but did not understand:

“Min' me; min' ye.”
 
    Then the world turned at a right angle and there was a blinding flash of light.
 
 ************************************************************
Follow J.R. at his website, Twitter, and Goodreads.

Tuesday, April 2, 2013

Interview with Author J.R. Kiefer

J.R. Kiefer is the indie writer of God Attacks! The horror/supernatural/ occult fiction/paranormal fantasy thriller explores a controversial concept of God. Let’s learn more about J.R….

Q: How long have you been writing and when did you decide to indie publish? What was the biggest hurdle in going it alone?

A: I have been writing on and off, in one form or another, most of my adult life. A lot of that has been boring formal writing and work for hire. I began writing fiction, the fun stuff, in my early twenties. I wrote a few short stories and started on a couple of novels that never really went anywhere. This “dabbling” in fiction for a couple of decades, more or less privately, very much relates to the second part of this question, because the biggest hurdle for me in indie publishing was wondering if my work was good enough to be published. I think that is a fairly common concern with indies: Is it good enough to be out there? I did get a good editor whose opinion I trusted, so I overcame that anxiety of the self-assessment of my work.

Q: You published God Attacks! in late 2012. Can you explain the idea behind the book? Where did the inspiration come from?


A: The concept behind God Attacks! is that God is not the creator, but the created. This “creation” of God occurs (for it is an ongoing thing) as a result of human thought and emotional energy fed to it and forming it over millennia, on a plane of existence where thought and emotion shape matter. Because of the conflicted beliefs and divergent views of the definition of God in religion, however, this created God is psychotic. Knowing of its deformity and dissonance, it desires to die. To die it must cut off (kill) its source of being, its human makers. From this concept the story of God Attacks! unfolds.

The inspiration for
God Attacks! came from the concept of “thought-forms” and the reality and actuality of thought, as discussed in esoteric spirituality and the mystery schools and such. The story in God Attacks! builds upon this general principle and extrapolates and magnifies it to form the fictional premise that God was/is created by humans. Then I only had to consider what type of “God” this would be. Unfortunately, the horror present in real life related to ongoing and historical religious disputes made this easy to model in a fictional universe.

Q: God Attacks! is first of two books. When should we expect to see the second novel?

A: The conclusion to
God Attacks! is due to be released in the fall of 2013! Wow, that is almost right around the corner. It is coming along nicely.

Q: What drew you to horror/ supernatural/ occult fiction/ paranormal fantasy? Do you plan to branch out to other genres as your career progresses?

A: I have always been fascinated with the unseen and unknown. My favorite reading is in these genres. I mean, I devour Stephen King’s work. As far as branching out,
God Attacks! was a bit difficult for me to classify, as can be seen from the string of genres, or sub-genres, listed. I do have a few ideas for more straightforward, stay-between-the-lines, stories. I might even try my hand at a pure science-fiction novel idea that has been clanking around in my head for some time now.

Q: One of the MCs in God Attacks! is Kirt Tucker. Can you tell us more about him?

A: The reader meets Kirt Tucker at forty years of age and during a very dark time in his life following a heartbreaking divorce. He hates his job selling used cars—it is much too unethical for him and too greed infested. During this time of his remaking, Kirt needs a big change in his life. He is waiting for it to happen but feels powerless to cause it. He feels the pawn to forces greater than himself. Then he finds out he is correct, and change finds him. Oh, and Kirt is also a part-time nerd (think Star Trek), has a sense of humor, and hates baby toys (have to read the book for that one).

Q: How about Roland? What’s his story?

A: Roland is Kirt’s good friend. Roland is unattached and carefree. He is a golf-pro and works at a golf course. He enjoys life on his decrepit ancestral farmhouse in rural Kansas. Roland is also a little paranoid, smokes marijuana, studies the strange and the unknown, and collects oddly-shaped farm equipment.

Q: Finally, the third MC in the book is Celia. What’s she like?

A: Celia is an intelligent, independent, and capable woman in her late thirties. Her business is being a psychic, a gift she has had since childhood. Celia is perceptive and speaks her mind but is also empathetic and kind. She is easy on the eyes, enjoys archery, can make a mean homemade mac-and-cheese, and can do some interesting things with Tarot cards.

Q: How do you come up with the names for your characters?

A: Kirt’s name is drawn from the protagonist in several of my unpublished short stories. I had the idea to write a series or a collection of short stories with Kirt as the hero, but settled instead for a single novel, the first half of which is
God Attacks! Roland and Celia I just pulled out of the air. I may have been influenced partially with Roland’s name from such sources as King’s the Gunslinger series, or maybe from Warren Zevon’s classic song: Roland the Headless Thompson Gunner. There are characters in God Attacks! whose names took more research, however—Gaelic speaking druids and Scottish mystical knights were a bit harder to decide upon and certainly did not role off the tip of the tongue.

Q: Chicken or the egg question. Do you create a character and build around him/her? Or do you imagine a concept and create characters which fit the idea?

A: In
God Attacks! I always had the idea of Kirt Tucker as the central character because I had cast him in prior stories as an occultist who solved mysteries of an occult nature (extra-planar intrusions, for example). The concept of God Attacks! melded perfectly with my short story protagonist of old. Usually, however, I conceive of a concept and then populate it with appropriate characters.

Q: How do you avoid writing a Mary Sue or Marty Stu when most writers can’t help falling desperately in love with their creations?


A: For characterization and dialogue, I imagine the characters facing the exact circumstances I am writing about. I try to let each character live the scene, and from that, I draw the character. They actually develop as I write. This makes the rewrite more difficult because I then have to change the early character to match the later evolved one. I guess I avoid a Mary Sue or Marty Stu by looking at my characters as multi-faceted personalities, which includes all the flaws we humans have.

Q: Do you use anything to inspire you while you’re writing? Music, visual aids, etc? Also have you found ideas come to you more freely in particular places or at certain times of the day?


A: It varies. Sometimes, the slightest noise is intrusive, and sometimes I write to background music that I think inspires or fits a scene. Most times, I just drink a lot of hot tea or coffee and peck at the keyboard until I have to recharge and step away. With regard to time of day, I am a morning person. The first few hours of the day (I get up pretty early) are my best and most creative. Sorry, day-job boss.

Q: When an idea hits you, do you start writing immediately or plot it out first?


A: I think about ideas and allow them to grow on their own for a few days. Then, I step in with the shears and mower to cut away and shape them. That is for the big ideas, the vast concept ideas. Most of my everyday ideas come as I am writing. I have a general plan as to where I am going but the real story occurs and unfolds as it happens.

Q: When you read less than fawning reviews, how do you know when to use the critique to improve your future writing and when do you chalk up the criticism as different strokes for different folks?


A: As a new indie writer, I look to every review with an eye to learning how to improve. Without honest feedback, I think it might be difficult for a writer to judge their own writing. That dovetails into what I said above about the biggest hurdle for me in indie publishing being the worry that the work is not good enough. In that regard, reviews can be very instructive. I think style choices and tastes vary quite a bit among readers. If I think the review deals mainly with tastes and style choices, I am probably more prone to chalking it up as different strokes for different folks.

Q: I’ve read criticism from particular bloggers (Fangs for the Fantasy being one) about the lack of people of color and different sexual orientations in fiction. Do you take this lack of diversity into consideration when creating plots and characters?

A: Actually, I don’t. I think if I took it into consideration that might lead to some sort of contrived circumstances for the purpose of promoting diversity. I have nothing against diversity. It is the way I think naturally. If a person of color or less-than-common sexual orientation fits in the story naturally, then it happens. I just don’t think about it.
God Attacks! features characters of several colors.

Q: Do word counts mean anything to you? Do you find your books top out at around the same lengths?


A: Well, this is my first novel, and
God Attacks! came in at 78k words. For volume 2, the word count is projected to be 60-80k (underway). Maybe this question would be better answered after I have written several more books. Invite me back in a couple of years, Angela!

Q: How big a deal is writer’s block for you and how do you shake it off?


A: Writer’s block is not really a big deal for me. I write when I feel like writing, usually without any pressure to meet a deadline. When I do have a schedule to keep, it is a little more difficult when I need to write but am blocked. In these situations, I like long walks in a nature setting. There is a park near where I live that is beautiful and has many walking paths along streams, etc. If I can’t walk, I like to take a long drive and clear my head. I find that after a refreshing walk or drive, I am usually good for a while. But most of the time, it really isn’t writer’s block that keeps me from writing. When the desire is strong, I write; when it is not, I don’t.

Q: What books did you enjoy most in 2012?

A: I re-read Stephen King’s the Gunslinger series. That was the one I enjoyed the most. It had been a few years since I had read the series, and even that was broken because of the length of time between releases. I read it from book one to finish and loved it.

Q: What trends do you hope die in 2013? Are there any you hope take off?


A: This is a difficult question for me because I am so new to indie publishing that I am not aware of what is trending. I am just coming onto the scene and I can’t tell what has recently come and what is in store. I will take a stab at one area, though. I hear that audiobooks are growing in popularity because of the ease of distribution and changing lifestyles (you can hear it on your phone). I would like to see that trend take off, as
God Attacks! will soon be available in audiobook (about a week).

Q: What are you plans for 2013 as an indie writer?

A: I will be completing and releasing the conclusion to God Attacks! Apart from that, I am learning the self-promotion and marketing side of trying to sell books. That takes some time and learning!

Find God Attacks! at Amazon. Follow J.R. at his website, Twitter, and Goodreads.

Sunday, March 10, 2013

Interview with Indie Author Rick Gualtieri

Rick Gualtieri is the indie writer of The Tome of Bill series starring Bill Ryder: programmer, gamer geek, and hopeless dweeb. Bill also happens to be a vampire. With three books already published in the series, Rick is hard at work on the fourth. Let’s get to know a little more about Rick…

Q: How long have you been writing and when did you decide to indie publish? What was the biggest hurdle in going it alone?

A: I’ve been writing short stories ever since High School, so that’s nothing new; however, I didn’t decide to actually pursue it until about 2 years back. That’s about the time I noticed a lot of new authors available for Amazon’s Kindle and realized that many were self-published. My reasoning behind choosing it was simple: it was a chance for me to see if I had/have what it takes to make it as a writer.
As for hurdles, the biggest issue in going it alone was in having to figure out everything on my own as I went...meaning I made a lot of stupid mistakes. Heck, I’m probably still making them. Regardless, I’ve learned a lot about this business via trial by fire and believe I’m a far better person because of it. I also think it has helped improve my craft considerably.

Q: You’ve published three books in The Tome of Bill series. Can you explain the idea behind the series? Where did the inspiration come from?

A: I have always loved horror comedy...Ghostbusters, Army of Darkness, you name it. It’s a genre that, when done right, works well together. There are a lot of horror novels out there with some funny scenes, but very few that put an equal emphasis on the humor. My goal was to fix that...create a world where the laughs lived along with the screams.
As for inspiration, well let’s just say that Bill and his friends have their various origins in a lot of people I know.

Q: Tell us more about Bill. Who he is and how has he progressed over the series?

A: Bill is a twenty-something year old geek. He works as a programmer, likes games, and has friends of similar caliber. Outside of his own circle, though, he’s kind of socially awkward, a situation not helped by the fact that he’s basically a smart-ass.
He’s definitely matured as the series has progressed, but not too much (and probably not as much as some of my readers would prefer). It is a humor series after all and part of the fun is in his cluelessness. That being said, he’ll definitely be maturing a bit more in book 4.

Q: Can you tell us about Bill’s love interests?

A: Bill is hopelessly in love with Sheila, a girl from his workplace. He’s somehow convinced himself that she’s his soul mate. Unfortunately, this has completely psyched him out with regards to her...often resulting in him being far braver facing down the forces of darkness than he is talking to her. As for her, while she’s definitely fond of him, so far it’s unclear if she’s ever going to reciprocate his fanatical feelings.

Q: You’re currently working on the fourth Bill book. When is its expected release date? Also how many books do you envision in the series?

A: Holier Than Thou, the Tome of Bill part 4, is in final editing as we speak...or type. I’m hoping to have it out by the end of March, but ultimately the answer is “when it’s ready”.

I envision about 7 to 10 books in the series. I definitely have a finite ending in mind, although it’s always possible there may be some extra tie-in stories. Someone suggested to me a book about James, a 600 year old vampire and one of the regulars in the series, might be fun. I tend to agree.

Q: In 2012, you published the horror adventure, Bigfoot Hunters. Can you explain the book’s premise and the main character Harrison?
A: The book’s premise is basically your typical horror movie fare...teenagers being hunted by a monster, with a few fun twists thrown in to change things up a bit. I’m not a big fan of horror where everyone plays the victim. I like when it’s a standoff of hero vs. villain, and Bigfoot Hunters definitely plays to that.
Harrison Kent is, I’d say, your classic hero. He’s brave and caring, but still human in that he has fears and doubts. That being said, I like to think of Bigfoot Hunters as more of an ensemble piece. Harrison is one of the main characters, but not the only one. There are definitely a few surprises in store for the reader there.

Q: What drew you to horror as a genre? Do you plan to branch out to other genres as your career progresses?

A: I am a huge Crytozoology nerd. Bigfoot Hunters started out as a movie script, basically my answer to all of the lousy Sasquatch movies that the SyFy channel seems to like replaying. Eventually, though, I realized it had a better chance of finding an audience as a novel.
As for genres, I pretty much write whatever comes to mind. I’m already in another genre under a pen name. I have little doubt I’ll try my hand at others in the future.

Q: How do you come up with the names for your characters?

A: You know, I never really thought about that. It’s mostly a spur of the moment type thing for me. One minute nothing...the next, their name is just there on the paper (or screen). I typically go with my gut on these things, usually the first thing I come up with.

Q: Chicken or the egg question. Do you create a character and build around him/her? Or do you imagine a concept and create characters which fit the idea?

A: Both. In Bigfoot Hunters, most of the characters came first. In the Bill series, it’s the opposite way around. I had no idea two of the main characters in Scary Dead Things (the Tome of Bill part 2) would even exist when I first started that book.

Q: How do you avoid writing a Mary Sue or Marty Stu when most writers can’t help falling desperately in love with their creations?

A: One lesson I learned from my days as a programmer: don’t fall in love with your own work. With regards to the Bill series, I figured the best way to do it was to off myself in the series. If you pay attention, early on there’s a victim that kind of fits my physical description. I don’t name him or anything, but in my mind that’s me. So technically I don’t even exist anymore in his world.

I also try to take a Quentin Tarrantino approach...any character could die at any given time, even ones I like a lot.

Q: Do you use anything to inspire you while you’re writing? Music, visual aids, etc? Also have you found ideas come to you more freely in particular places or at certain times of the day?

A: I don’t really have any visual aids, and I like to write in silence. I will say, though, that my best ideas seem to pop into my head in the AM when I’m shaving. No idea why. Maybe the buzzing of my electric razor jostles my brain or something.

Q: When an idea hits you, do you start writing immediately or plot it out first?

A: With regards to comedy, it’s all about spontaneity. If I have to plot it out, then chances are it’s not funny. Horror, though, requires plotting.

Q: When you read less than fawning reviews, how do you know when to use the critique to improve your future writing and when do you chalk up the criticism as different strokes for different folks?

A: I like to look for trends...I.e. is more than one person listing something as an issue. If so, then chances are it’s a potential problem. There’s also context. Is it a character issue, a plot issue, or an actual editing issue? There’s also the matter of whether something is purposely done in the book. Bad language is a good example. The Bill books contain a lot of four letter words and I market them as “foul mouthed horror comedy”. As a result, I have to accept that it will probably offend some people simply because they’ll have different tastes on the matter.

Either way, I try to never get upset with someone who was cool enough to give me a chance. If it works out, that’s awesome. If not, then I am at least thankful to have had the opportunity to be on their Kindle, Nook etc.

Q: I’ve read criticism from particular bloggers (Fangs for the Fantasy being one) about the lack of people of color and different sexual orientations in fantasy and similar genres. Do you take this lack of diversity into consideration when creating plots and characters?

A: Sometimes yes and sometimes no. I won’t shoehorn in a character just to add some diversity. It has to make sense. I also tend to go light on some of my characters’ physical descriptions, leaving them to the imagination.

Q: Do word counts mean anything to you? Do you find your books top out at around the same lengths?

A: I find most of my novels end up in the 80-100k word range. This isn’t really a purposeful decision. It just ends up that way probably because I find it a pretty good length for a book.

Q: How big a deal is writer’s block for you and what do you do to shake it off?

A: Not too big of a deal. I find if I hit a roadblock, that’s usually the universe’s way of telling me I’m done for the day. Usually clearing my mind and getting a good night’s sleep will cure that. Worst case scenario is I’ll work on another portion of the book or on another project until my subconscious figures out a way around the issue.

Q: What books did you enjoy most in 2012?

A: I was a bit disappointed in 2012. Some of the traditional authors I normally enjoy had so-so novels come out in 2012. I think my favorite reads for 2012 was the Cassidy Jones series by Elise Stokes. It’s a YA superhero series and is very well written. Quite enjoyable...and that says a lot coming from someone who typically sticks to gruesome horror.

Q: What trends do you hope die in 2013? Are there any you hope take off?

A: What I hope to see die is the rash of unprofessionalism in the writing field. Too many writers are gaming the system, buying reviews, and just outright treating their readers like garbage. I can’t stand that type of behavior. Personally I’m extremely grateful for the opportunities that exist for independent authors today, but it’s exactly that...an opportunity, not a right, and it irks me to no end to see people abuse that privilege.

Q: What are your plans for 2013 as an indie writer?

A: Rinse and repeat. I’ll be releasing my 8th book shortly. My plans for this year are to release a 9th and 10th as well...same for next year. I’m here to write books, improve my craft, and have a little bit of fun while I’m doing so. I’m not really sure I see a need to change that formula anytime soon. ;

Find Rick's books at Amazon.